Holly has a PhD from Trinity College Dublin (2008) on Commemoration and the Irish National Theatre, an MA in Theatre Studies from the University of Michigan, Ann Arbor (2004) and a BA (Hons) in Acting from Central School of Speech and Drama (1999). Both a theatre practitioner and a scholar, she has performed in, and directed productions in the United States, Ireland and the United Kingdom. Her directing work combines physical and text based theatre and she has worked and trained with experimental theatre companies such as SITI Company, the Wooster Group, Theatre Mitu and Elevator Repair Service. She attended the prestigious Lincoln Center Director’s Lab in 2011 and is the winner of the Platsis Award for her production of The Electra Project.
Prior to joining the Theatre Department at Brunel, Holly was a Lecturer in Drama at the University of East Anglia where she was the co-course leader of the MA in Theatre Directing and MA in Theatre for Development. She has also taught at Trinity College Dublin, the University of Michigan and at the Abbey School of Acting in Dublin.
Her research examines the performance of collective identity in times of social change. She has articles examining a wide range of performance practice including dance theatre, spectatorship, the embodiment of collective memory and Irish Studies. Holly is a member of the American Society for Theatre Research, Performance Studies International and the International Federation of Theatre Research.
Newest selected publications
Maples, H. (2016) 'The Erotic Voyeur: Sensorial Engagement in Punchdrunk’s The Drowned Man'. Journal of Contemporary Drama in English, 4 (1). ISSN: 2195-0164 Open Access Link
Maples, H. (2014) 'Parading Multicultural Ireland: Identity, Politics and National Agendas in the 2007 St. Patrick's Festival', in Brady, S. and Walsh, F. (eds.) Crossroads: Performance Studies and Irish Culture. Palgrave Macmillan. ISBN 10: 1137425717. ISBN 13: 978-1137425713.
Maples, H. (2012) 'Embodying Resistance: Gendering Public Space in Ragtime Social Dance'. New Theatre Quarterly, 28 (03). pp. 243 - 259. ISSN: 0266-464X
Maples, H. (2012) 'Producing memory: A history of commemoration and the Abbey theatre', inMemory Ireland. , 1. pp. 172 - 183. ISBN 13: 9780815651710.
Maples, HA. (2011) 'Performing Cultural Trauma: The 1980 'A Sense of Ireland' Festival', in Trench, R. (ed.) Staging Thought: Essays on Irish Theatre, Practice and Scholarship. Peter Lang. ISBN 10: 3034308043. ISBN 13: 978-3-0343-0804-5.