Geoff King has published numerous books, particularly focused on Hollywood and American independent cinema. He is a major authority on the American indie sector, with books including American Independent Cinema (2005), a pioneering work in the study of independent film, and Indiewood, USA (2009), the first academic analysis of the ‘Indiewood’ zone in which Hollywood and the independent sector overlap. He has also written books on the indie features Donnie Darko (2007) and Lost in Translation (2010) and a study of contemporary lower-budget indie cinema, Indie 2.0: Change and Continuity in American Indie Film (2014), including analysis of the role of the internet as a new channel of distribution.
His most recent work focuses on the manner in which particular forms of cultural value are attributed to different kinds of film, a theme of his most recent book, Quality Hollywood: Markers of Distinction in Contemporary Studio Film (2016). He is currently working on a book that examines similar issues in relation to the wider arena of international art film.
Prof. King’s earlier work focused more closely on Hollywood, both generally and particularly in relation to the contemporary blockbuster format, and film comedy. His book Spectacular Narratives: Hollywood in the Age of the Blockbuster (2000) remains a key intervention in debates about the relationship between narrative and spectacle in the contemporary blockbuster format. He has also published collaborative books with Tanya Krzywinska on science fiction cinema and videogames (for details of these and other publications, see publications list). In another life, he worked as a journalist, combining this part-time with undergraduate and postgraduate study before becoming a lecturer at Brunel in 1998.
Newest selected publications
King, GR. (2018) 'Art Cinema: Positioning Films and the Construction of Cultural Value'. London: I.B. Tauris.
King, G. (2017) 'A Companion to American Indie Film'. New York: Wiley-Blackwell.
King, G. (2015) 'Quality Hollywood: Markers of Distinction in Contemporary Studio Film'. London: I.B.Taruis.
King, G. (2012) 'Indie 2.O: Continuity and Change in Contemporary American Independent Film'. London: I.B. Tauris.
King, G. (2011) 'Striking a balance between culture and fun: 'Quality' meets hitman genre in 'In Bruges''. New Review of Film and Television Studies, 9 (2). pp. 132 - 151. ISSN: 1740-0309 Open Access Link