Royona is the author of Akram Khan: Dancing New Interculturalism (Palgrave, May 2015). Her book is the winner of 2017 de la Torre Bueno First Book Award awarded by the prestigious Dance Studies Association (DSA) and the runner-up for the 2016 Theatre & Performance Research Association (TaPRA) New Career Research in Theatre/Performance.
She has a PhD from Royal Holloway, University of London (2011) on the British-Bangladeshi artist Akram Khan, an MA in Physical Theatre from Royal Holloway, University of London (2001) and a BA (Hons) in Theatre & Performance from the University of Plymouth (2000). She trained in classical and contemporary South Asian dance in India and specialised in physical theatre in the UK. Royona was the founding member and performer with Kinaetma Theatre, an intercultural physical theatre company that made work between India, UK and Portugal from 2002 to 2007.
Prior to joining the Theatre Department at Brunel, Royona was a Senior Lecturer in the Drama Department at University of Wolverhampton where she was also the MA Drama Course Leader. She has also taught in the Theatre and Performance Department at the University of Plymouth.
Royona was elected as Secretary to join the Executive Committee for SCUDD (Standing Conference for University Drama Department) from 2013-2016. She is an elected member of DSA’s (Dance Studies Association) Board of Directors, and a member of TaPRA (Theatre and Performance Research Association). She has served on the editorial board for DSA's Studies in Dance History series (2015-2018) and was a co-editor for the Training Grounds section of Theatre, Dance and Performance Training Journal (2015-2018).
Royona is the Programme Leader for Theatre at Brunel, a member of the Athena SWAN SAT team, and also a member of Brunel's Student Success Project.
Newest selected publications
Mitra, R. (Accepted) 'Costuming Brownnesses in British South Asian Dance', in Ross, J., Manning, S. and Schneider, R. (eds.) The Futures of Dance Studies. University of Wisconsin Press.
Mitra, R. (2017) 'Akram Khan on the Politics of Choreographing Touch', in Butterworth, J. and Wildschut, L. (eds.) Contemporary Choreography: A Critical Reader (2nd Edition). Routledge. pp. 385 - 397.
Mitra, R., O'Shea, J., Pillai, S., Kedhar, A. and Banerjii, A. (2017) 'Postcolonial Pedagogies: Recasting the Guru–Shishya Parampara in 'Notes from the Field''. Theatre Topics, 27 (3). pp. 221 - 230. ISSN: 1086-3346
Mitra, R. (2017) 'Beyond Fixity: Akram Khan on the Politics of Dancing Heritages', in Morris, G. and Nicholas, L. (eds.) Rethinking Dance History. pp. 32 - 43.Open Access Link
Mitra, R. (2016) 'Decolonising Immersion: Translation, Spectatorship, Rasa Theory and Contemporary British Dance'. Performance Research: a journal of the performing arts, 21 (5). pp. 89 - 100. ISSN: 1469-9990 Open Access Link