Research LeaveFunder: Brunel University London
Duration: September 2016 - January 2017
The creation of two multi-sensory works for solo instrument, objects and live electronics exploring music that can be see and felt as much as it is heard. The development of compositional practice which enables meaningful participation from audiences with both enabled and impaired senses.
Mr Colin Riley
Reader in Music
T: +44 (0)1895 266582
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