Skip to Content

Summary

Supraja Ramesh is a Techne Doctoral Training Partnership (2025) scholar in Theatre Research at Brunel University of London. As a pedagogue and curator, they mindfully bridge arts-academic worlds, facilitating inter/trans/disciplinary engagements. They organized the online Performing Re-Markings program, funded by the Performance Studies International (PSi) Constellate 2025, highlighting Indian artists and thinkers whose queer and/or non-conforming aesthetic practices resonate across g-local contexts. They have published in notable theatre journals such as the Contemporary Theatre Review (2023) and Critical Stages/Scènes critiques (2021). Their visual essays and performance review, which mobilises their theoretical work, Cleaving, in/to/through artistic domains, has appeared in Writing Natures Vol. 2: Insubordinate Vitalities (2026), Alternative South Asia Photography (ASAP) | Art (2023) and Qurbatein: A Gender and Sexuality Bi-annual (2022).