Film and TV Publications

Hunt, LR. (2018) 'Danger: Diabolik'. New York: Wallflower Press. ISSN 13: 9780231182812

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Hunt, LR. (2017) 'Una diva non come le altre: Le streghe (The Witches) and the paradoxical stardom of Silvana Mangano', in Yu, S. and Austin, G. (eds.) Revisiting Star Studies: Cultures, Themes and Methods. Edinburgh University Press. pp. 240 - 258. ISBN 10: 1474404316.

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Hunt, LR. (2016) 'Kings of Terror, Geniuses of Crime: giallo cinema and fumetti neri', in Baschiera, S. and Hunter, R. (eds.) Italian Horror Cinema. Edinburgh University Press. pp. 145 - 159. ISBN 10: 1474419682.

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Hunt, LR. (2014) 'Enter the 2-disc Platinum Edition: Bruce Lee and Post-DVD Textuality'. JOMEC Journal, 0 (5). pp. 1 - 12. ISSN: 2049-2340

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Hunt, L., Lockyer, S. and Williamson, M. (2014) 'Screening the undead: Vampires and zombies in film and television'. London: I.B.Tauris. ISSN 13: 9781848859234

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Hunt, L. (2011) 'Dragons forever: Chinese martial arts stars', in Lim, SH. and Ward, J. (eds.) The Chinese Cinema Book. British Film Institute/Palgrave Macmillan. pp. 141 - 149. ISBN 13: 9781844573448.

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Hunt, L. (2010) 'Heroic chivalry, heroic sacrifice: "Martial arthouse" as epic cinema', inThe Epic Film in World Culture. Routledge. , Forthcoming - 2011. pp. 63 - 81. ISBN 13: 978-0-415-99018-9.

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Hunt, L. (2008) 'The league of gentlemen'. British Film Institute / Macmilliam Publishers Limited. ISSN 13: 9781844572694

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Hunt, L. and Wing-Fai, L. (2008) 'East Asian cinemas: Exploring transnational connections on film'. London: I.B. Tauris. ISSN 10: 1845116151 ISSN 13: 978-1845116156

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Hunt, L. (2008) 'Asiaphilia, Asianisation and the gatekeeper auteur: Quentin Tarantino and Luc Besson', in Hunt, L. and Wing-Fai, L. (eds.) East Asian Cinemas: Exploring Transnational Connections on Film. IB Tauris. pp. 226 - 236. ISBN 10: 1845116151.

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Hunt, L. (2008) 'From carnival to crumpet: low comedy in the 1970s', in Biressi, A. and Nunn, H. (eds.) The Tabloid Culture Reader. McGraw-Hill/Open University Press. pp. 122 - 132. ISBN 13: 978-0335219315.

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Hunt, L. (2008) 'Han's island revisited: Enter the Dragon as transnational cult film', in Mathijs, E. and Mendik, X. (eds.) The Cult Film Reader. Open University Press. pp. 301 - 308.

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Hunt, L. (2007) 'Zhang Ziyi, 'Martial arthouse' and the transnational nuxia', in Andris, S. and Frederick, U. (eds.) Women willing to fight: the fighting woman in film. Newcastle: Cambridge Scholars Publishing. pp. 144 - 160. ISBN 10: 1-84718-142-2.

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Hunt, L. (2005) 'Ong-Bak: New Thai cinema, Hong Kong and the cult of the 'real''. New Cinemas: Journal of Contemporary Film, 3 (2). pp. 69 - 84. ISSN: 1474-2756

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Hunt, L. (2005) 'Hell in a cell and other stories: violence, endangerment and authenticity in professional wrestling', in King, G. (ed.) The spectacle of the real: from Hollywood to 'reality' TV and beyond. Bristol: Intellect. pp. 117 - 127. ISBN 10: 1-84150-120-4.

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Hunt, L. (2003) 'Kung Fu cult masters: from Bruce Lee to Crouching Tiger'. London: Wallflower Press. ISSN 10: 1-903364-63-9

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Hunt, LR. (1998) 'British Low Culture: From Safari Suits to Sexploitation'. Routledge.

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Holmes, SP. (2013) 'Weavers of Dreams, Unite!: Actors' Unionism in Early Twentieth-Century America'. Urbana and Chicago: University of Illinois Press.

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Dawson, A. and Holmes, S. (2012) 'Working in the Global Film and Television Industries'. Bloomsbury Academic. ISSN 10: 1780930194 ISSN 13: 9781780930190

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Holmes, SP. and Dawson, A. (2012) ''Help to Preserve the Real Story of Our Cinema and Television Industries': The BECTU History Project and the Construction of British Media History, 1986-2010'. Historical Journal of Film, Radio and Television, 32 (3). pp. 435 - 448. ISSN: 0143-9685

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Holmes, SP. (2012) 'The BECTU History Project: A Postscript'. Historical Journal of Film, Radio and Television, 32 (3). pp. 449 - 451. ISSN: 0143-9685

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Holmes, SP. (2012) 'New Perspectives on Working in the Global Film and Television Industries', in Holmes, SP. and Dawson, A. (eds.) Working in the Global Film and Television Industries: Systems, Space, Patronage, and Creativity. London : Bloomsbury Academic.

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Holmes, SP. (2012) 'No Room for Manoeuvre: Star Images and the Regulation of Actors' Labour in Silent-Era Hollywood', inWorking in the Global Film and Television Industries: Systems, Space, Patronage, and Creativity. London : Bloomsbury Academic.

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Holmes, SP. (2012) 'Vaudeville', in Dumenil, L. (ed.) Oxford Encyclopedia of American Social History. Oxford and London : Oxford University Press. ISBN 10: 0199743363. ISBN 13: 9780199743360.

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Holmes, SP. (2008) 'All Work or No Play: Key Themes in the History of the American Stage Actor as Worker'. European Journal of American Studies [online], 2008.ISSN: 1991-9336

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Holmes, SP. (2005) 'Canned cooking: Stage actors, screen acting, and cultural hierarchy in the United States, 1912-1929'. Journal of American Drama and Theatre, 17 (1). pp. 5 - 24. ISSN: 1044-937X

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Holmes, SP. (2005) 'All the world's a stage! The actors' strike of 1919'. Journal of American History, 91 (4). pp. 1291 - 1317. ISSN: 0021-8723

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Holmes, SP. (2005) 'And the villain still pursued her: The actors' equity association in Hollywood, 1919-1929'. Historical Journal of Film Radio and Television, 25 (1). pp. 27 - 50. ISSN: 0143-9685

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Holmes, SP. (2003) 'The Shuberts and the Actors’ Equity Association, 1913-1924'. The Passing Show: The Journal of the Shubert Archives. pp. 21 - 32.

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Holmes, SP. (2001) 'When Elmer met Juanita: Organized labor and women war workers in the Toledo flat glass industry, 1941-45'. Northwest Ohio Quarterly, 73 (3-4). pp. 142 - 162. ISSN: 0029-3407

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Holmes, SP. (2000) 'The Hollywood star system and the regulation of actors’ labour, 1916-1934'. Film History, 12. pp. 97 - 114. ISSN: 0892-2160

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Holmes, SP. (1997) 'Margaret Sanger: A bibliographical essay', in Parish, PJ. (ed.) Reader's guide to American history. Routledge. ISBN 10: 1884964222. ISBN 13: 9781884964220.

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Ingram, DA. (2018) 'Cognitivist Film Theory and the Bioculturalist Turn in Eco-film Studies', in Bergthaller, H. and Mortensen, P. (eds.) Framing the Environmental Humanities. Brill Rodopi. pp. 190 - 204.

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Ingram, DA. (2015) '‘Ecocriticism and Traditional English Folk Music’', in Dawe, K. and Allen, A. (eds.) Current Directions in Ecomusicology: Music, Culture, Nature. London and New York : Routledge. pp. 221 - 232. ISBN 13: 978-1-13-880458-6.

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Ingram, DA. (2014) ''Emotion and Affect in Eco-films: Cognitive and Phenomenological Approaches'', in Weik vom Mossner, A. (ed.) Moving Environments: Affect, Emotion, Ecology and Film. Waterloo, Ontario : Wilfred Laurier University Press. pp. 23 - 39. ISBN 13: 978-1-77112-002-9.

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Ingram, DA. (2014) '‘Rethinking Eco-film Studies'. .', in Garrard, G. (ed.) The Oxford Handbook of Ecocriticism. Oxford : Oxford University Press. pp. 459 - 474.ISBN 13: 978-0-19-974292-9.

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Ingram, DA. (2013) 'An inconvenient truth: Science and argumentation in the expository documentary film', in Pick, A. and Narraway, G. (eds.) Screening nature: Cinema beyond the human. Oxford and New York : Berghahn. ISBN 13: 978-1-78238-226-3.

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INGRAM, DA. (2012) ''The aesthetics and ethics of eco-film criticism'.', in Monani, S., Rust, S. and Cubitt, S. (eds.) Ecocinema Theory and Practice. New York and London : Routledge. pp. 43 - 61. ISBN 13: 978-0-415-89942-0.

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Ingram, DA. (2010) 'The jukebox in the garden: Ecocriticism and american popular music since 1960'. Amsterdam and New York: Rodopi. ISSN 10: 904203209XISSN 13: 9789042032095

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Ingram, D. (2008) 'Hollywood cinema and climate change: The day after tomorrow', in Devine, M. and Grewe-Volpp, C. (eds.) Words On Water: Literary and Cultural Representations. Wissenschaftlicher Verlag Trier. ISBN 13: 978-3-86821-049-1.

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Ingram, D. (2008) '“My dirty stream”: Pete Seeger, American folk music, and environmental protest'. Popular Music and Society, 31 (1). pp. 21 - 36. ISSN: 0300-7766

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Ingram, DA. (2007) 'For free? Theorising consumption, commerce, and the environmental costs of artistic production'. Green Letters, 8 (Spring 2007). pp. 13 - 22. ISSN: 1468-8417

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Ingram, DA. (2006) ''Go to the forest and move': 1960s American rock music as electronic pastoral'. Forty-Ninth Parallel: An Interdisciplinary Journal of American Studies, 20. pp. 1 - 16. ISSN: 1753-5794

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Ingram, DA. (2006) ''A balance that you can hear': Deep ecology, 'serious listening' and the soundscape recordings of David Dunn'. European Journal of American Culture, 25 (2). pp. 123 - 138. ISSN: 1466-0407

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Ingram, DA. (2006) 'The clutter of the unkempt forest: John Cage, music and American environmental thought'. American Studies, 51 (4). pp. 567 - 579. ISSN: 0340-2827

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Ingram, DA. (2004) 'Green screen: Environmentalism and hollywood cinema'. University of Exeter Press. ISSN 10: 0859896099 ISSN 13: 9780859896092

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Ingram, DA. (2000) 'Fly Away Home and the Hollywood Conservationist Movie'. Scope: an on-line journal of film studies. ISSN: 1465-9166

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King, GR. (2018) 'Positioning Art Cinema: Film and Cultural Value'. London: I.B. Tauris.

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King, G. (2017) 'A Companion to American Indie Film'. New York: Wiley-Blackwell.

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King, G. (2015) 'Quality Hollywood: Markers of Distinction in Contemporary Studio Film'. London: I.B.Taruis.

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King, G. (2012) 'Indie 2.O: Continuity and Change in Contemporary American Independent Film'. London: I.B. Tauris.

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King, G. (2011) 'Striking a balance between culture and fun: 'Quality' meets hitman genre in 'In Bruges''. New Review of Film and Television Studies, 9 (2). pp. 132 - 151. ISSN: 1740-0309

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King, G. (2010) 'Lost in translation'. Edinburgh University Press. ISSN 10: 0748637451 ISSN 13: 978-0748637454

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King, G. (2009) 'Indiewood, USA: Where Hollywood meets independent cinema'. London: I B Tauris & Co Ltd. ISSN 10: 184511826X ISSN 13: 978-1845118266

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King, G. (2007) 'Donnie Darko'. Columbia University Press. ISSN 10: 1905674511 ISSN 13: 978-1905674510

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King, G. (2006) 'Following in the footsteps: Gus Van Sant's Gerry and Elephant in the American independent field of cultural production'. New Review of Film and Television Studies, 4 (2). pp. 75 - 92. ISSN: 1740-0309

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King, G. and Krzywinska, T. (2005) 'Tomb raiders and space invaders: Videogame forms and contexts'. London: I B Tauris. ISSN 10: 1845111087 ISSN 13: 978-1845111083

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King, G. (2005) 'American independent cinema'. London: I B Tauris. ISSN 10: 1850439370 ISSN 13: 978-1850439370

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King, G. (2005) 'The spectacle of the real: From Hollywood to reality TV and beyond'. Bristol: Intellect Press. ISSN 10: 1841501204 ISSN 13: 978-1841501208

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King, GR. (2005) 'Just like a Movie?": 9-11 and Hollywood Spectacle', inThe Spectacle of the Real: From Hollywood to Reality TV and Beyond. Bristo : Intellect Press.

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King, G. (2004) 'Weighing up the qualities of independence: 21 grams in focus'. Film Studies: An international Review, 5 (5). pp. 80 - 91. ISSN: 0304-3975

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King, G. and Krzywinska, T. (2002) 'ScreenPlay: Cinema/videogames/interfaces'. Wallflower Press. ISSN 10: 190336454X ISSN 13: 978-1903364543

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King, G. (2002) 'Film comedy'. Columbia University Press. ISSN 10: 1903364361 ISSN 13: 978-1903364369

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King, G. (2002) 'New Hollywood cinema: an introducion'. London: I B Tauris. ISSN 10: 1860647499 ISSN 13: 978-1860647499

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King, G. and Krzywinska, T. (2001) 'Science fiction cinema: From outer space to cyberspace'. Columbia University Press. ISSN 10: 1903364035 ISSN 13: 9781903364031

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King, G. (2000) 'Spectacular narratives: Hollywood in the age of the blockbuster'. London: I B Tauris & Co. ISSN 10: 1860645720 ISSN 13: 978-1860645723

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King, G. (1999) 'Spectacular narratives: Twister, independence day, and frontier mythology'. Journal of American Culture, 22 (1). pp. 25 - 40. ISSN: 1542-7331

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King, G. (1996) 'Mapping reality: an exploration of cultural cartographies'. Palgrave Macmillan. ISSN 10: 0312127049 ISSN 13: 9780312127046

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O'Neill, D. and Wayne, M. (2017) 'Considering Class: Theory, Culture and the Media in the 21st Century'. Brill.

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O'Neill, D. (2017) '2017: Film as a Radical Pedagogic Tool Routledge'. New York and London: Routledge.

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O'Neill, D. (2017) 'The (global) Northern working class: Engels revisited', inHeading North: The North of England in Film and Television. Springer International Publishing. pp. 279 - 297. ISBN 13: 9783319524993.

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O'Neill, D. (2016) 'Film and the Politics of Working Class Representation’', in Tzioumakis, Y. and Molloy, C. (eds.) The Routledge Companion of Cinema and Politics. Routledge.

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O'Neill, D. (2015) 'Radical Pedagogy, Prison, and Film'. Journal for Critical Education Policy Studies, volume 13 (3). ISSN: 1740-2743

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O'Neill, D. and Wayne, M. (2013) 'The Condition of the Working Class: Representation and Praxis'. Working USA: the journal of labor and society, Volume 16 (4). pp. 487 - 503. ISSN: 1089-7011

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Wayne, M. and O'Neill, D. (2013) 'The engels project: Mike Wayne and Deirdre O'Neill discuss the ideas behind their latest documentary film, the condition of the working Class'. Film International, 11 (3-4). pp. 6 - 10. ISSN: 1651-6826

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O'Neill, D. (2011) 'Saving the Cinema Museum’'. Journal of Film Preservation, 85. ISSN: 1609-2694

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O'Neill, D. and Wayne, M. (2011) 'Form, Politics and Culture: A Case Study of The Take, The Revolution Will Not Be Televised, and Listen To Venezuela’', in Kapur, J. and Wagner, KB. (eds.) Neo-liberalism and Global Cinema, Capital, Culture, and Marxist Critique. Routledge.

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O'Neill, D. (2010) 'Prison, Education and Film'. The Prison service Journal.

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Ruddell, CD. and Boeckenhoff, K. (2020) 'The Adventures of Prince Achmed (Die Abenteuer des Prinzen Achmed): Animation Key Films'. Bloomsbury.

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Ruddell, CD. and Boeckenhoff, K. (2019) 'Lotte Reiniger: The Crafty Animator and Cultural Value', in Ruddell, CAROLINE. and Ward, P. (eds.) The Crafty Animator: Handmade, Craft-based Animation and Cultural Value. Palgrave Macmillan.

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Ruddell, C., Boeckenhoff, K., Ward, P., Hosea, B., Husbands, L., Holliday, C., et al. (2019) 'The Crafty Animator: Handmade, Craft-based Animation and Cultural Value'. Palgrave Macmillan.

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Ruddell, C. (2018) 'Contextualising Lotte Reiniger’s Fantasy Fairy-Tales', in Holliday, C. and Sergeant, A. (eds.) Fantasy/Animation: Connections Between Media, Mediums and Genres. Routledge.

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Rugo, D. (2018) 'Exactitude and partiality: Merleau-Ponty and Nancy on cinema'. Chiasmi International. Trilingual Studies Concerning the Thought of Merleau-Ponty, 19. pp. 201 - 219. ISSN: 1637-6757

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Rugo, D. (2017) 'The Adventure of Patience. James Benning's Films as Perceptual Environments', in Lubecker, N. and Rugo, D. (eds.) James Benning's Environments. Politics, Ecology, Duration.. Edinburgh University Press. pp. 160 - 177.

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Rugo, D. and Lübecker, N. (2017) 'James Benning's Environments. Politics, Ecology, Duration'. Edinburgh: Edinburgh University Press.

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Rugo, D., Weaver, A., Abi Ghanem, D. and Kastrinou, M. (2017) 'Dark Beirut. The (in)visibility of electricity'. Jadaliyya. Arab Studies Institute.

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Rugo, D. (2017) 'Asghar Farhadi: Acknowledging Hybrid Traditions: Iran, Hollywood and Transnational Cinema'. Third Text, 30 (3-4). pp. 173 - 187. ISSN: 1475-5297

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Rugo, D. (2016) 'England, That Desert Island. Patrick Keiller's Spatial Fictions'. Cultural Politics, 12 (3). pp. 263 - 278. ISSN: 1751-7435

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Abi Ghanem, D., Rugo, D. and Kastrinou, M. (2016) 'Power Cuts and Development: Following the Wires in Post-war Beirut'.

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Rugo, D. (2016) 'The End Goes On... The Desert, the jam and the last days of Italy', in Cavallini, R. (ed.) Requiem for a Nation. Religion and Politics in post-war Italian Cinema. Mimesis International. pp. 135 - 148. ISBN 10: 8869770567.

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Rugo, D., Kastrinou, M. and Abi Ghanem, D. (2016) 'Following the Wires: Conflict and Power Outages in Beirut'.

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Rugo, D. (2016) 'Philosophy and The Patience of Film in Cavell and Nancy'. London: Palgrave. ISSN 10: 1137580593 ISSN 13: 978-1-137-58059-7

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Rugo, D. (2015) 'The Patience of Film. Cavell, Nancy and a thought for the world'. Angelaki: Journal of the Theoretical Humanities, 20 (4). pp. 23 - 35. ISSN: 1469-2899

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Rugo, D. (2015) 'More or less, and nothing in between'. Continental Philosophy Review, 48 (3). pp. 391 - 396. ISSN: 1573-0611

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Rugo, D. (2015) 'The Pedagogy of Political Film. Elio Petri’s Todo Modo'. Studies in European Cinema, 12 (2). pp. 106 - 117. ISSN: 2040-0594

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Rugo, D. (2014) 'The Overlook: On Patrick Keiller’s The View from The Train'. Senses of Cinema. ISSN: 1443-4059

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Rugo, D. (2013) 'A School for Everyone. Alain Badiou's Cinema'. Senses of Cinema. ISSN: 1443-4059

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Rugo, D. (2013) 'Jean-Luc Nancy and the thinking of otherness: Philosophy and powers of existence'. London; New York: Bloomsbury. ISSN 10: 1780937989 ISSN 13: 9781780937984

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Rugo, D. (2013) 'To sign one’s life (with cinema): Francesco Rosi'. Senses of Cinema. ISSN: 1443-4059

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Rugo, D. (2013) 'Marco Ferreri: The task of cinema and the end of the world'. Journal of Italian Cinema and Media Studies, 1 (2). pp. 129 - 141. ISSN: 2047-7368

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Rugo, D. (2013) 'Truth After cinema: The explosion of facts in the documentary films of Jia Zhangke'. Asian Cinema, 24 (2). pp. 195 - 208. ISSN: 1059-440X

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Rugo, D. (2012) 'Le cinema de Leos Carax. L'experience du déjà-vu'. Film-philosophy, 16 (1). pp. 243 - 245. ISSN: 1466-4615

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Rugo, D. (2012) 'The logic of the unauthorized lover:Jacques Rancière’s Les écarts du cinema'. Senses of Cinema. ISSN: 1443-4059

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Rugo, D. (2012) 'Contrapuntal close-up: The cinema of John Cassavetes and the agitation of sense'. Film-Philosophy, 16 (1). pp. 183 - 198. ISSN: 1466-4615

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Rugo, D. (2011) 'What Cinema Is! & The Personal Camera'. Scope. An Online Journal of Film and Television Studies. ISSN: 1465-9166

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Rugo, D. (2010) 'In Praise of W. Robert Walser and initiation'. Dartmouth Journal of Comparative Literature, 1 (1).

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O'Neill,, D. (2017) 'Considering Class: Theory, Culture and the Media in the 21st Century'. Brill and Haymarket.

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O'Neill, D. (2017) 'On Intellectuals', in Wayne, M. and O'Neill,, D. (eds.) Considering Class: Theory, Culture and the Media in the 21st Century. Brill and Haymarket.

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Wayne, M. (2016) 'Beneath the Bias, the Crisis: The Press, the Independent Media and the Scottish Referendum'. International Journal of Media and Cultural Politics, 12 (3). pp. 323 - 340. ISSN: 1740-8296

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Wayne, M. (2016) 'The Dialectics of Third Cinema', in Tzioumakis, Y. and Molloy, C. (eds.) The Routledge Companion to Film and Politics. Routledge.

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Wayne, M. (2014) 'Red Kant: Aesthetics, Marxism and the Third Critique'. Bloomsbury Publishing. ISSN 10: 1472508688 ISSN 13: 9781472508683

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Wayne, M. (2014) 'Aesthetics and class interests: Rethinking Kant'. Third Text, 28 (2). pp. 137 - 148. ISSN: 0952-8822

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Wayne, M. (2014) 'Classed Audiences in the Age of Neoliberal Capitalism', in Alvarado, M., Buonanno, M., Gray, H. and Miller, T. (eds.) The SAGE Handbook of Television Studies. Sage. pp. 392 - 408. ISBN 13: 9780761947417.

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Wayne, M. (2014) 'The Dialectical Image: Kant, Marx and Adorno', in Mazierska, E. and Kristensen, L. (eds.) Marx at the Movies: Revisiting History, Theory and Practice. Palgrave/MacMillan. pp. 27 - 45. ISBN 13: 9781137378606.

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Wayne, M. (2013) 'Transcoding Kant: Kracauer's Weimar Marxism and after'. Historical Materialism: research in critical Marxist theory, 21 (3). pp. 57 - 85. ISSN: 1569-206X

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Wayne, M. and O'Neill, D. (2013) 'The condition of the working class: Representation and praxis'. Working USA: the journal of labor and society, 16 (4). pp. 487 - 503. ISSN: 1089-7011

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Wayne, M. (2012) 'Hans Magnus Enzensberger and the Politics of New Media Technology', in Berry, D. (ed.) Revisiting the Frankfurt School: Essays on Culture, Media and Theory. Ashgate Publishing. pp. 117 - 137. ISBN 10: 140941180X. ISBN 13: 978-1409411802.

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Wayne, M. (2012) 'Kant's philosophy of the aesthetic and the philosophy of praxis'. Rethinking Marxism: A Journal of Economics, Culture and Society, 24 (3). pp. 386 - 402. ISSN: 0893-5696

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Wayne, M. (2012) 'Marx's Das Kapital For Beginners'. New Hampshire: Steerforth Press. ISSN 13: 978-1-934389-59-1

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Wayne, M. and O'Neill, D. (2011) 'Form, Politics, and Culture: A Case Study of 'The Take', 'The Revolution Will Not Be Televised' and 'Listen To Venezuela''', in Kapur, J. and Wagner, KB. (eds.) Neoliberalism and Global Cinema, Capital, Culture and Marxist Critique. Routledge. pp. 113 - 132. ISBN 10: 0415889057. ISBN 13: 9780415889056.

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Wayne, M., Petley, J., Murray, C. and Henderson, L. (2010) 'Television news, politics and young people: Generation disconnected?'. New York, NY: Palgrave Macmillan. ISSN 10: 0-230-21935-7 ISSN 13: 9780230219359

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O'Neill, D. and Wayne, M. (2010) 'Return to third cinema? The case of Listen To Venezuela'. Film International, 8 (1). pp. 26 - 33. ISSN: 1651-6826

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Wayne, M. (2009) 'British neo-noir and reification: croupier and dirty pretty things', in Bould, M., Glitre, K. and Tuck, G. (eds.) Neo-Noir. Wallflower Press. pp. 136 - 151. ISBN 10: 1906660182. ISBN 13: 978-1906660185.

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Wayne, M. (2009) 'Television news and young people'. Sociology Review, 19 (1). ISSN: 0959-8499

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Wayne, M. and Murray, C. (2009) 'UK television news: monopoly politics and cynical populism'. Television and New Media, 10 (5). pp. 416 - 433. ISSN: 1527-4764

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Wayne, M. (2008) 'Documentary as critical and creative research', in Austen, T. and de Jong, W. (eds.) Rethinking Documentary: New Perspectives, New Practices. Open University Press. ISBN 10: 0335221920. ISBN 13: 978-0335221929.

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Wayne, M., Henderson, L., Murray, C. and Petley, J. (2008) 'Television news and the symbolic criminalisation of young people'. Journalism Studies, 9 (1). pp. 75 - 90. ISSN: 1461-670X

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Wayne, M. (2007) 'Theses on Realism and Film'. International Socialism Journal. ISSN: 0020-8736

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Wayne, M. (2007) 'Failing the Public: The BBC, The War Game and Revisionist History'. Journal of Contemporary History, 42 (4). ISSN: 0022-0094

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Wayne, M. (2007) 'Monopoly politics and television news in the'. International Journal of Media and Cultural Politics, 3 (2). ISSN: 1740-8296

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Wayne, M. (2006) 'Working Title Mark II: A critique of the Atlanticist paradigm for British cinema'. International Journal of Media and Cultural Politics, 2 (1). pp. 59 - 73. ISSN: 1740-8296

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Wayne, M. (2005) 'Fetishism and ideology: A reply to Dimoulis and Milios'. Historical Materialism, 13 (3). pp. 193 - 218. ISSN: 1465-4466

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Wayne, M. and Leslie, E. (2005) 'Understanding Film: Marxist Perspectives'. Pluto Press. ISSN 10: 0745319939 ISSN 13: 978-0745319933

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Wayne, M. (2003) 'Marxism and media studies: key concepts and contemporary trends'. London: Pluto Press. ISSN 10: 0-7453-1913-0

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Wayne, M. (2002) 'The Politics of European Cinema: Histories, Borders, Diasporas'. Intellect Press.

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Wayne, M. (2001) 'Political film: the dialectics of Third Cinema'. London: Pluto Press. ISSN 10: 0-7453-1669-7

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Wayne, M. (1997) 'Theorising Video Practice'. Lawrence and Wishart. ISSN 10: 0853158274 ISSN 13: 978-0853158271

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