Broadhurst, S. (2021) '‘Hybridity and Experimental Aesthetics in the Performances of Anne Imhof’'. Body, Space & Technology, 20 (1). pp. 1 - 13.Open Access Link

Broadhurst, S. (2021) '‘Transgressive Love, Transgressive Performance: Intermediality, Hybridity, Virtuality and Disruption, with Reference to Wagner’s Tristan and Isolde and Verdi’s Don Carlo’', in Puglisi, F. (ed.) Performing/Transforming. Transgressions And Hybridizations Across Texts, Media, Bodies. Turin : Otto. pp. 39 - 54. ISBN 10: 8895285700. ISBN 13: 9788895285702.

Broadhurst, S. (2019) ''László Moholy-Nagy’s "Theatre of Totality": A Precursor to Digital Performance''. Theatre and Performance Design, 5 (1 & 2). pp. 22 - 42. ISSN: 2332-2551 Open Access Link

Broadhurst, S. (2018) 'Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde'. Body, Space and Technology, 17 (1). pp. 95 - 117.Open Access Link

Broadhurst, S. (2018) 'Hybridity, Empathy and the 'Total Artwork' in Metamorphosis: Titian', in Brodesco, A. and Giordano, F. (eds.) Body Images in the Post-Cinematic Scenario: The Digitization of Bodies. Milan : Mimesis International. pp. 85 - 98. ISBN 10: 8869771091. ISBN 13: 978-8869771095.

Broadhurst, S. (2017) 'Aesthetics, neuroaesthetics and embodiment: Theorising performance and technology', inMusic-dance Sound and Motion in Contemporary Discourse. Musical Cultures of the Twentieth Century. pp. 235 - 248. ISBN 10: 1138280518. ISBN 13: 9781138280519.

Broadhurst, S. (2017) 'Digital Performance and Creativity', in Broadhurst, S. and Price, S. (eds.) Digital Bodies: Creativity and Technology in the Arts and Humanities. London : Palgrave MacMillan. pp. 11 - 26. ISBN 10: 1349952400. ISBN 13: 978-1-349-95240-3.

Broadhurst, S. (2017) 'Digital Bodies: Creativity and Technology in the Arts and Humanities'. London: Palgrave Macmillan. ISSN 10: 1349952400 ISSN 13: 978-1349952403

Broadhurst, S. (2014) 'Neuroaesthetics, Technoembodiment', in Reynolds, B. (ed.) Performance Studies: Key Words, Concepts and Theories. Palgrave Macmillan. ISBN 10: 0230247296. ISBN 13: 978-0230247291.

Broadhurst, S. (2014) 'Theorising performance and technology: Aesthetic and neuroaesthetic approaches'. Australasian Drama Studies, 65 (65). pp. 212 - 236. ISSN: 0810-4123 Open Access Link

Broadhurst, S. (2012) 'Pina', in Broadhurst, S. and Machon, J. (eds.) Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan. ISBN 10: 0230298885. ISBN 13: 978-0230298880.

Broadhurst, S. and Machon, J. (2012) 'Identity, Performance and Technology: Practices of empowerment, embodiment and technicity'. Palgrave Macmillan. ISSN 10: 0230298885 ISSN 13: 978-0230298880

Broadhurst, S. (2012) 'Einstein on the beach: A study in temporality'. Performance Research, 17 (5). pp. 34 - 40. ISSN: 1352-8165 Open Access Link

Broadhurst, S. (2011) 'Digital Practices: Aesthetic and neuroesthetic approaches to performance and technology'. Palgrave MacMillan. ISSN 10: 0230293646 ISSN 13: 9780230293649

Broadhurst, S. (2011) 'Performance and Technology: Practices of virtual embodiment and interactivity'. Palgrave Macmillan. ISSN 10: 0230293654 ISSN 13: 9780230293656

Broadhurst, S. and Machon, J. (2010) 'Sensualities/Textualities and Technologies: Writings of the body in 21st century performance'. Palgrave MacMillan. ISSN 10: 0230220258 ISSN 13: 9780230220256

Broadhurst, S. (2010) 'Digital Practices: New writings of the body', in Broadhurst, S. and Machon, J. (eds.) Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance. Palgrave Macmillan. ISBN 10: 0-230-22025-8. ISBN 13: 978-0-230-22025-6.

Broadhurst, S. and Harvey, N. (2010) 'Natio et gens: Venice biennale 2009'. Body, Space and Technology, 9 (1). ISSN: 1470-9120 Open Access Link

Broadhurst, S. and Machon, J. (2010) 'Introduction', in Broadhurst, S. and Machon, J. (eds.) Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance. Basingstoke : Palgrave-Macmillan. , 5. pp. 1 - 6. ISBN 13: 9781847209498.

Broadhurst, S. (2008) 'Troika Ranch: Making new connections a Deleuzian approach to performance and technology'. Performance Research, 13 (1). pp. 109 - 117. ISSN: 1352-8165 Open Access Link

Broadhurst, S. (2008) 'The virtual body', in Boddington, G. (ed.) Virtual Physical Bodies. Centre des Arts. ISBN 13: 978-2-916639-09-3.

Broadhurst, S. (2007) 'Digital practices: aesthetic and neuroesthetic approaches to performance and technology'. New York: Palgrave Macmillan. ISSN 10: 0-230-55313-3 ISSN 13: 9780230553132

Broadhurst, S. and Machon, J. (2006) 'Performance and Technology: Practices of virtual embodiment and interactivity'. Basingstoke: Palgrave Macmillan. ISSN 10: 1-4039-9907-4 ISSN 13: 978-1-4039-9907-8

Broadhurst, S. (2006) 'Intelligence, interaction, reaction, and performance', in Broadhurst, S. and Machon, J. (eds.) Performance and Technology: Practices of Virtual Embodiment and Interactivity. Palgrave Macmillan. pp. 141 - 152. ISBN 10: 1403999074. ISBN 13: 978-1403999078.

Broadhurst, S. (2006) 'Digital practices: An aesthetic and neuroesthetic approach to virtuality and embodiment'. Performance Research, 11 (4). pp. 137 - 147. ISSN: 1352-8165 Open Access Link

Broadhurst, S. (2005) 'Palindrome: Arbeiten mit interaktiver Technologie', inGlobale Medialisierung und integral Hultur. Dresden : Trans-Media-Akademie Hellerau e.V. ISBN 10: 3-9810247-1-0.

Broadhurst, S. (2004) 'Liminal Spaces', in Bredendick, N. (ed.) Mapping the threshold: Essays in liminal analysis. Madrid : Gateway Press. , 4. pp. 57 - 73. ISBN 10: 84-931843-2-2. ISBN 13: 9788493184322.

Broadhurst, S. (2004) 'The Jeremiah project: Interaction, reaction and performance'. The Drama Review (TDR), 48 (4). pp. 47 - 57. ISSN: 1054-2043 Open Access Link

Broadhurst, S. (2003) 'Dead East/Dead West (Director)'. [Institute of Contemporary Arts, London.]

Broadhurst, S. (2002) 'Blue bloodshot flowers: Interaction, reaction and performance'. Digital Creativity, 13 (3). pp. 157 - 163. ISSN: 1462-6268

Broadhurst, S. (2001) 'Blue Bloodshot Flowers (Director)'. [291 Gallery, Hackney Road, London.]

Broadhurst, S. (2001) 'Interaction, reaction and performance: The human body tracking project'. Body, Space and Technology. ISSN: 1470-9120 Open Access Link

Broadhurst, S. (1999) 'The (im)mediate body: A transvaluation of corporeality'. Body & Society, 5 (1). pp. 17 - 29. ISSN: 1357-034X

Broadhurst, S. (1999) 'Liminal acts: A critical overview of contemporary performance and theory'. Continuum International Publishing Group Ltd. ISSN 10: 0304705861 ISSN 13: 978-0304705863

Broadhurst, S. (1998) 'Tanztheater'. Creative Arts Research. pp. 1 - 27.

Broadhurst, S. (1998) 'Einstein on the beach'. Creative Arts Research. pp. 78 - 97.

Broadhurst, S. (1998) 'Viennese actionism'. Creative Arts Research. pp. 53 - 64.

Broadhurst, S. (1996) 'A dancing across margins'. Gender, Body and Performance. pp. 228 - 253.

Broadhurst, S. (1996) 'Theatre of images'. Gender, Body and Performance. pp. 296 - 315.

Broadhurst, S. (1996) 'Social sculptures: Viennese actionism'. Gender, Body and Performance. pp. 481 - 493.