Group members

katerina paramana (senior lecturer/associate professor) is an artist-scholar, research lead for theatre, pgr director for the cbass global lives research centre, lead of the cbass performance, cultures and politics research group, and lead of the arts and humanities department research peer-mentoring scheme. her performance work draws on theatre, the visuals arts, and dance and takes the form of performance, installation-, and lecture-performance. through its consideration of the relationship between image, body, time, context, and the encounter with the spectator, her work explores the political, philosophical, social, and ethical dimensions and potentials of performance. it has been presented in theatres, studios, and galleries in the uk, us, and europe, in venues such as gasworks gallery, the white building, ]performance s p a c e [, laban theatre, the place, and toynbee studios in london; the institute of design at stanford university; the kultuhuset in stockholm; galeria boavista in lisbon; and the michael cacoyannis theatre in athens. katerina has also collaborated as a performer with various companies and artists in the uk and the us (e.g. tino sehgal, ivana müller, the famous lauren barri holstein, bojana cvejic and christine de smedt, janez janša, liz lerman dance exchange, nejla yatkin, deviated theatre, lea anderson, simon vincenzi, and risa jaroslow). she has performed at venues including the barbican theatre, national theatre studio, tate modern, southbank centre, laban theatre, and siobhan davies studios in london; the michael cacoyannis theatre and duncan dance research centre in athens; the kennedy centre, kogod theatre, greenberg theatre, kay theatre, gala theatre at tivoli square, dance place, and the 9:30 club in washington, d.c.; the chicago cultural centre and the chicago symphony orchestra centre in chicago; and the lincoln centre in nyc. in broad terms, katerina's interdisciplinary research is concerned with the socio-political and ethical dimensions of contemporary performance. it brings into conversation performance, political economy, critical theory, continental philosophy, and cultural and social theory. her current research focuses on the relationship between performance and political economy. in 2022 - 2023 she curated and organised the research seminar series 'performance and political economy: bodies, politics, and well-being in the 21st century', for which she received a research seminar series award from brunel university (2022). in 2023, katerina was nominated and shortlisted for a research impact award. in 2021, she received the 'bril' research award ('brunel research interdisciplinary lab') for an interdisciplinary collaborative project with brunel colleagues, while in 2019 she was awarded the research ‘brief award’ (‘brunel research initiative and enterprise fund’) for her research. her monograph is forthcoming with routledge (2024). her book performance, dance and political economy: bodies at the end of the world (2021, paramana and gonzalez eds.) was published with bloomsbury academic, while the volume art and dance in dialogue: body, space, object (2020, whatley, sarah, racz, imogen, paramana, katerina, and crawley, marie-louise eds.) was published with palgrave macmillan. her research has also been published with refereed academic journals including performance research, contemporary theatre review, gps: global performance studies, and dance research. she was an associate researcher with performance matters, an ahrc-funded creative research project and collaboration between university of roehampton, london, goldsmiths, university of london, and the live art development agency, investigating the cultural value of performance (directed by adrian heathfield, gavin butt, and lois keidan). katerina also worked as a postdoctoral researcher at the centre for dance research (c-dare) at coventry university, and from 2015-2018 she was a participating artist of sadler’s wells summer university, which was led by jonathan burrows and eva martinez. katerina is editor of the journal section 'political economy and the arts', the new section she has developed for lateral, the refereed journal of the cultural studies association (2022 - present). she is co-founder of the interdisciplinary book series dance in dialogue (bloomsbury academic), which she co-edited for its first three years (2018 - 2021), publishing its first four books. she is an assessor on the techne peer review college (ahrc doctoral training partnership) and is on the editorial board of body, space, & technology journal. she has also served on the board of directors of performance studies international (psi) and on the executive committee of the society for dance research, and currently serves on performance studies international (psi's) advisory committee on antiracism and anticolonialism. katerina has supervised and examined ba, ma, and phd dissertations (practice-based, practice-as-research, and fully-written) and has taught theory and practice across live art, theatre, performance, and dance at undergraduate and postgraduate levels. prior to brunel she taught, among others, at birkbeck, university of london, the royal academy of dramatic art (rada), and university of roehampton, london. she is fellow of the higher education adacemy (fhea). she holds a phd in theatre and performance from university of roehampton, london, an ma in choreography from trinity laban conservatoire of music and dance, a ba in theatre, and a ba in dance from university of maryland, college park (us). her phd studies were funded by the alexander s. onassis public benefit foundation. in broad terms, katerina's interdisciplinary research is concerned with the socio-political and ethical dimensions of contemporary performance. it brings into conversation performance, political economy, critical theory, continental philosophy, and cultural and social theory. her current research focuses on the relationship between performance and political economy. in 2022 - 2023 she curated and organised the research seminar series 'performance and political economy: bodies, politics, and well-being in the 21st century', for which she received a research seminar series award from brunel university (2022). in 2021, katerina received the 'bril' research award ('brunel research interdisciplinary lab') for an interdisciplinary collaborative project with brunel colleagues, while in 2019 she was awarded the research ‘brief award’ (‘brunel research initiative and enterprise fund’) for her research. her monograph is forthcoming with routledge (2023). her book performance, dance and political economy: bodies at the end of the world (2021, paramana and gonzalez eds.) was published with bloomsbury academic, while the volume art and dance in dialogue: body, space, object (2020, whatley, sarah, racz, imogen, paramana, katerina, and crawley, marie-louise eds.) was published with palgrave macmillan. her research has also been published with refereed academic journals including performance research, contemporary theatre review, gps: global performance studies, and dance research. she was an associate researcher with performance matters, an ahrc-funded creative research project and collaboration between university of roehampton, london, goldsmiths, university of london, and the live art development agency, investigating the cultural value of performance (directed by adrian heathfield, gavin butt, and lois keidan). katerina also worked as a postdoctoral researcher at the centre for dance research (c-dare) at coventry university, and from 2015-2018 she was a participating artist of sadler’s wells summer university, which was led by jonathan burrows and eva martinez. katerina is editor of the journal section 'political economy and the arts', the new section she has developed for lateral, the refereed journal of the cultural studies association (2022 - present). she is co-founder of the interdisciplinary book series dance in dialogue (bloomsbury academic), which she co-edited for its first three years (2018 - 2021), publishing its first four books. she is on the techne peer review college (ahrc doctoral training partnership) and on the editorial board of body, space, & technology journal, and has served on the board of directors of performance studies international (psi) and on the executive committee of the society for dance research. publications (for full texts visit my academia.edu page) book series co-founder of the interdisciplinary book series dance in dialogue; series co-editor 2018-2021. bloomsbury academic. books (forthcoming) paramana, katerina. 'contemporary performance and political economy: oikonomia as a new ethico-political paradigm'. routledge. 2021. paramana, katerina and gonzalez, anita (eds.). performance, dance and political economy: bodies at the end of the world. bloomsbury academic. 2020. whatley, sarah, racz, imogen, paramana, katerina, and crawley, marie-louise (eds.). art and dance in dialogue: body, space, object. palgrave macmillan. refereed journal publications 2023 (in press). paramana, k. 'the oscillation of contemporary bodies between biopolitics and necropolitics: tania bruguera’s wrestling with power structures'. filozofski vestnik. 2019. ‘the animation of contemporary subjectivity in tino sehgal’s ann lee’, performance research 24(6), 114-121. 2017. ‘the contemporary dance economy: problems and potentials in the contemporary neoliberal moment’, special issue ‘dancing economies: currency, value and labour’, dance research, 35(1), 75–95. (full text available at my academia.edu) 2017. ‘the psi manifesto lexicon – an online discursive platform’, gps: global performance studies, 1(1). konstantina, georgelou, hildebrandt, antje and paramana, katerina. (full text available at my academia.edu) 2015. ‘re-turning to the show’, performance research: a journal of the performing arts, 20(5), 116-124. (full text available at my academia.edu) 2015. text contribution to the ‘acts of voting: a lexicon’, curated by philip hager & marilena zaroulia, contemporary theatre review interventions (online), 25(2) (may 2015). 2014. ‘on resistance through ruptures and the rupture of resistances in tino sehgal’s these associations’, performance research: a journal of the performing arts, 19(6), 81-89. (full text available at my academia.edu) 2014. (editorial) ‘solidarity and/in performance: rethinking definitions & exploring potentialities’ activate e-journal, 3(1). (full text available at my academia.edu) 2011. ‘muddle, muddle toil and trouble: disorder and potentiality’, activate e-journal, 1(1). book chapters 2021. paramana, katerina. ‘performance, dance and political economy: a provocation'. in performance, dance and political economy: bodies at the end of the world. paramana, k. and gonzalez, a. (eds.) bloomsbury academic. 2021. paramana, katerina and gonzalez, anita. ‘opening thoughts and introductions’. in performance, dance and political economy: bodies at the end of the world. paramana, k. and gonzalez, a. (eds.) bloomsbury academic. 2021. paramana, katerina, gonzalez, anita, power, nina, blanco-borelli, melissa, loizidou, elena, johnson-small, jamila, seregina, usva, hemsley, alexandrina, and arthur, marc. ‘in conversation: performance, dance and political economy’. in performance, dance and political economy: bodies at the end of the world. paramana, k. and gonzalez, a. (eds.) bloomsbury academic. 2020. crawley, marie-louise, paramana, katerina, racz, imogen and whatley, sarah . ‘introduction’, in whatley, s., racz, i., paramana, k., and crawley, m. (eds.) art and dance in dialogue: body, space, object. palgrave macmillan. published practice-based outputs (dvds available at the british library and the live art development agency’s study room): talking with strangers: what is violence?, performance matters – potentials of performance, (2012) the white building, london ( martyro, performance matters – trashing performance –trash salon: how to do things with waste?, (2011) toynbee studios, london ( creative text online publications 2013. (re)definition of the term ‘solidarity’. psi manifesto lexicon. gigi argyropoulou, konstantina georgelou, efrosini protopapa, danae theodoridou and steriani tsintziloni (eds.). 2012. (re)definitions of the terms ‘reading’, ‘co-authoring’ and ‘witness’. psi manifesto lexicon. gigi argyropoulou, konstantina georgelou, efrosini protopapa, danae theodoridou and steriani tsintziloni (eds.). reviews 2011.‘review – thinking through dance: the philosophy of dance performance and practices conference’, society for dance research newsletter, 50. co-authored with antje hildebrandt. recent awards & funding (2022-2026) arts & humanities research council, techne ahrc dtp - studentship - tejas rawal (2023) nominated and shortlisted for a research impact award, brunel university london (2022-23) research seminar series award (brunel univ.) for 'performance and political economy: bodies, politics, and well-being in the 21st century'. (2021-22) 'bril' research award ('brunel research interdisciplinary lab') for the interdisciplinary collaborative project 'the social, ecological, political, and cultural implications of extinction'. (2019-20) research ‘brief award’ (‘brunel research initiative and enterprise fund’) 2019-20, brunel university london (research leave 2019-20). (2017) british society of aesthetics– grant for the organisation of the conference ‘dialogues on dance, philosophy, and performance in the contemporary neoliberal moment’ at coventry university. research projects & related activities (2022-23) curated and organised the research seminar series 'performance and political economy: bodies, politics, and well-being in the 21st century'. (2021-22) co-i, bril ('brunel research interdisciplinary lab') for the interdisciplinary collaborative project 'the social, ecological, political, and cultural implications of extinction'. (2019-20) principal investigator, ‘brief award' project (‘brunel research initiative and enterprise fund’) 2019-20, brunel university london. (2015-18) participating artist, sadler’s wells summer university. directed by jonathan burrows in collaboration with eva martinez, sadler’s wells, london. (2015) participating artist, performing arts forum (paf) with jonathan burrows, jan ritsema, mårten spångberg, and bojana cvejic. siobhan davies studios, london. (2010-13) associate researcher with performance matters, an ahrc-funded programme. a three-year creative research project and collaboration between university of roehampton, london, goldsmiths, university of london and the live arts development agency investigating the cultural value of performance. directed by professor adrian heathfield, dr gavin butt and lois keidan. board memberships & assessment panels (2020-present) psi advisory committee on antiracism and anticolonialism (2018-present) techne ahrc doctoral training partnership peer review college – assessment panel member, performing arts subject group. (2018-present) editorial board, body, space & technology (bst) journal (2016-2019) board of directors, performance studies international (psi) (2016-2018) executive committee, society for dance research (sdr) peer-reviewer rowman & littlefield press arts journal (issn 2076-0752) bloomsbury academic routledge gps: global performance studies journal dance research journal journal of dramatic theory and criticism and gps: global performance studies journal joint issue performing ethos: an international journal of ethics in theatre and performance journal airea, arts and interdisciplinary research journal, edinburgh college of art body, space & technology (bst) journal editorial roles (2022-present) editor, 'political economy and the arts', the new section of lateral, the refereed journal of the cultural studies association. (2018-2021) book series editor, interdisciplinary book series dance in dialogue, bloomsbury academic. (2018-present) editorial board, body, space & technology (bst) journal. (2016-2019) general editor, performance studies international, psi manifesto lexicon. (2015-16) review editor, journal of dance and somatic practices (2013-14) guest editor, ‘solidarity and/in performance: rethinking definitions & exploring potentialities’ activate e-journal, 3(1). (2010-13) editorial committee member, activate e-journal. event organisation (2022-23) curated and organised the research seminar series 'performance and political economy: bodies, politics, and well-being in the 21st century'. (2022) co-organiser of the international conference 'extinction: implications from the microbial to the planetary (eximp). (2017) co-organiser of the conference ‘dialogues on dance, philosophy, and performance in the contemporary neoliberal moment’, coventry university. (2016) co-organizer of the body, space, object symposium, coventry university. (2016) working group convenor and panel chair, ‘the production of the social in contemporary performance’, body, space, object symposium, coventry university. (2013) curation & organisation of the symposium ‘rethinking economies’, university of roehampton, london. co-curated and co-organised with gigi argyropoulou. presentations by professor nicholas ridout, dr sophie nield, dr eve katsouraki, and tim jeeves. funded by roehampton university’s centre for performance and creative exchange. (2011) co-curator of the festival ‘performing text / reading performance’ (pandemic), bank street arts gallery, sheffield, u.k. conferences & symposia presentations 2022 invited talk for the brunel-wide mentoring network launch. 2022 invited talk for the organisation of dance professionals symposium, athens, greece (sexwxo). 2021 invited talk: invited by the research centre for the humanities (rch) and twixtlab (athens, gr) to deliver talk on artistic research in dance titled ‘the production of knowledge through dance research outside(?) the academy’. 2022 (paper) ‘the subject par excellence of contemporary capitalism: hungry for rest, stability, and emotional balance’. performance studies international (psi) conference. 2021 (paper) ‘tino sehgal’s ann lee: how to set our souls back in motion.’ tapra conference. online & co - hosted by liverpool hope university. bodies and performance working group. 2021 (paper) performance studies international (psi#25) conference, rijeka, croatia. covid-19 related conference cancellation. 2020 (paper) performance studies international (psi#25) conference, rijeka, croatia. covid-19 related conference postponement. 2019 (paper) performance studies international (psi#25) conference, calgary, canada. 2019 (paper) ‘to kill, to heal, to transform: coming-in-between ideas, institutions, and practices’, performance philosophy conference, university of amsterdam, theatre studies. 2017 (paper) ‘idea: this is good: on neoliberal overflows and the reconceptualization of economy’, brunel theatre research seminar series, london. 2017 (paper) ‘idea: this is good: on neoliberal overflows and the reconceptualization of economy’, psi#23 (performance studies international) conference, hamburg, germany. 2017 (paper) ‘the contemporary dance economy: problems and potentials in the current neoliberal moment’ dance fields: staking a claim for dance studies in the 21stcentury, university of roehampton, london. 2016 (paper) ‘on the production of the social in contemporary performance practices’. society for european philosophy (sep/fep), london, uk. 2016 (paper) ‘re-turning to the show: repetition and the construction of spaces of decision, affect and creative possibility’, repetition/s: performance and philosophy in ljubljana, slovenia. 2016 (paper) ‘on the production of the social in the contemporary moment: performance, neoliberalism and resistance’, grit, birkbeck centre for contemporary theatre, birkbeck, university of london. 2015 (paper) cut & paste: dance advocacy in the age of austerity sdhs/cord conference, athens, greece. 2015 (paper) dancing economies: currency, value and labour conference, royal holloway, university of london 2014 (paper) iftr world congress: theatre & stratification, university of warwick, uk. 2013 (paper) new visions on dance symposium (society for dance research & dance he middlesex) middlesex university, london. 2013 invited plenary talk and workshop at ‘generative indirections’, performance studies international (psi) regional cluster conference, portugal. 2013 ‘talking about economy/ies’, performance studies international (psi#19) conference, stanford university, us. co-created with gigi argyropoulou. 2013 (paper) what is performance philosophy? staging a new field conference, university of surrey, uk. panel title: ethics & aesthetics in performance art: from marina abramovic to tino sehgal. 2012 (installation-performance)’ talking with strangers: what is violence?’, potentials of performance, performance matters, london. 2012 (paper) psi #18 (performance studies international) conference, leeds, u.k. june 2012 (paper) communication in context conference, university of roehampton, london. 2011 performance studies international (psi) conference – athens cluster, athens, greece.presentations:– ‘synchronicity in performance’– ‘manifesto lexicon’ 2011 (performance) martyro, performance matters symposium, toynbee studios, london, u.k. 2011 (paper) ‘failing narratives, failing systems: failure as necessity in performanceand society’, 3rd annual phd student conference, university of wolverhampton, u.k. 2011 (lecture-performance) muddle, muddle toil and trouble: disorder and potentiality – a lecture- performance.‘communi(cati)on of crisis symposium’, nafpaktos, greece. organised by the institute for live arts research under the auspices of athens university and minicipality of nafpaktos. 2011 (performance) metrology, making & unmaking text across performance practices and theories conference, funded by beyond text, an ahrc programme,centre for creative collaboration, london, u.k. performance creation selected works (in preparation) martyro exploded (working title). june 2015 now what?, michael cacoyannis theatre, athens, greece. co-created with elena koukoli. performed by stella dimitrakopoulou, elena koukoli, and katerina paramana. 23 april – 9 may 2014 idea: this is good, gasworks gallery, london.(part of the archive of destruction by pedro lagoa). 1 november 2013 video performances co-created with kathleya afanador, antje hildebrandt, elena koukoli, and ligia zuccarello rizzo (as part of toothache duets, by eirini kartsaki and louise douse) ]performance s p a c e [, london. 27 june 2013 talking about economy/ies, performance studies international (psi#19),studio 2, building 550, stanford university, us.co-created with gigi argyropoulou. 14 & 15 december 2012 talking with strangers: what is violence?, galeria boavista, lisbon, portugal. 26 & 27 october 2012 talking with strangers: what is violence?, potentials of performance, part of performance matters, the white building, london.– november 2011 muddle, muddle toil and trouble: disorder and potentiality – a lecture- performance. part of pandemic, bank street arts, sheffield, u.k.performed by stella dimitrakopoulou, antje hildebrandt, eirini kartsaki, and katerina paramana. october 2011 martyro, trash salon, performance matters symposium, toynbee studios, london.performed by katerina paramana. august 2011 metrology, stockholm fringe fest 2011, kultuhuset, stockholm.performed by antje hildebrandt and katerina paramana. june 2011 muddle, muddle toil and trouble: disorder and potentiality – a lecture- performance.jubilee building, university of roehampton, london.performed by antje hildebrandt, eirini kartsaki, elena koukoli, and katerina paramana. june 2011 muddle, muddle toil and trouble: disorder and potentiality – a lecture- performance.‘communi(cati)on of crisis’ symposium, nafpaktos, greece. organised by the institute for live arts research under the auspices of athens university and municipality of nafpaktos.performed by elena koukoli, nana sachini, eirini kartsaki, and katerina paramana. february 2011 metrology, jubilee theatre, university of roehampton, london.performed by antje hildebrandt and stella dimitrakopoulou. january 2011 metrology, c4cc (centre for creative collaboration), londonpart of making & unmakingtext across performance practices and theories. funded by beyond text, an ahrc programmeperformed by antje hildebrandt and stella dimitrakopoulou. january 2011 metrology, part of resolution!, the robin howard dance theatre,the place, london.performed by antje hildebrandt and stella dimitrakopoulou. may 2010 e pulvere lux et vis, 125 magazine, photoshoot choreographer, sept. 2010 art issue (16), p. 212-219, london. photography dan swallow, art director martin yates.( october 2009 tea party, deptford x festival, london. co-created and performed with michelle lynch, antje hildebrandt, and laura blackley. in collaboration with artmongers. june 2009 the adult waltz starving loretta home, studio theatre, laban, london. april 2009 subjectile, co-created and performed with kathleya afanador, laban, london. concept and design alex rainford-roberts. january 2009 three, studio theatre, laban, london. may 2006 ‘aint’i a woman’, co-created with stacy wilson, dance theatre, clarice smith performing arts centre, md, us. april 2006 hang pictures on the air, dance theatre, clarice smith performing arts centre, md, us. performed by katerina paramana. december 2006 distance, laboratory theatre, clarice smith performing arts centre, md, us. december 2005 from the real to the surreal, dance theatre, clarice smith performing arts centre, md, us. performed by yoko feinman and jr russ. contemporary: performance, theatre, choreography/post-dance live art political economy performance, critical, political, social, and cultural theory ethics and social justice spectatorship and participation affect and collectivity biopolitics and neoliberalism continental philosophy practice-as-research teaching areas: theory and practice across contemporary theatre, performance, live art, and dance continental philosophy critical theory katerina has taught workshops, seminars, and lectures on theatre, performance, live art, and dance on undergraduate and postgraduate programmes. she has also supervised and examined ba, ma, and phd dissertations and has delivered workshops for the techne ahrc doctoral training programme. prior to brunel she taught, among others, at birkbeck, university of london, the royal academy of dramatic art (rada), and university of roehampton, london. she is fellow of the higher education academy (fhea).

royona mitra (she/her) is professor in dance and performance cultures and the author of akram khan: dancing new interculturalism (palgrave, may 2015). her book was awarded the 2017 de la torre bueno first book award by the dance studies association (dsa) and it was runner-up for the 2016 new career research in theatre/performance awarded by the theatre & performance research association (tapra). she has a phd from royal holloway, university of london (2011) on the british-bangladeshi dance artist akram khan, an ma in physical theatre from royal holloway, university of london (2001) and a ba (hons) in theatre & performance from the university of plymouth (2000). she trained in classical and contemporary south asian dance in india and specialised in physical theatre in the uk. prior to joining the theatre department at brunel, royona was a senior lecturer in the drama department at university of wolverhampton where she was also the ma drama course leader. she has also taught in the theatre and performance department at the university of plymouth. royona served as a member on the ref2021 sub panel 33. she is one of the three chairs of tapra (2022- ) alongside drs rachel hann and broderick chow. she was elected as secretary to join the executive committee for scudd (standing conference for university drama department) from 2013-2016. she was also an elected member of dsa’s (dance studies association) board of directors (2018-2022), and a working group convenor for the bodies and performance wg of tapra (2015-2018). she has served on the editorial board for dsa's studies in dance history series (2015-2018) and was a co-editor for the training grounds section of theatre, dance and performance training journal (2015-2018). royona's research addresses intersectionalities between bodies, new interculturalisms, race, gender, postcolonialities and decolonialities, and she contributes to the fields of intercultural performance, diaspora and dance, contemporary south asian dance and physical theatre/dance theatre. her first monograph akram khan: dancing new interculturalism analyses the relationship between this british-asian dance artist's complex identity-positions and his art through the lens of ‘new interculturalism’. through seven key case studies from khan’s oeuvre, this book demonstrates how khan’s philosophy and aesthetic of ‘new interculturalism’ is a challenge to the 1980s predominantly western ‘intercultural theatre’ project, as a more nuanced and embodied approach to representing othernesses, from his own position of the other. additionally, the book challenges popular perception of khan’s art as contemporary south asian dance by suggesting that, instead, khan uses south asian dramaturgical principles to transform the western contemporary dance landscape in intercultural ways. offering the first full-length investigation of akram khan’s work, this book is essential reading for students, researchers, practitioners and fans of khan’s work. her current book project titled unmaking contact: choreographing south asian touch contracted with oxford university press and scheduled for publication in 2024, interrogates the politics of choreographing touch at the intersections of race, gender, caste, faith, sexuality, new interculturalisms and decoloniaity, and reframes contact in choreography beyond tactility through foregrounding transnational south asian choreographic practices. royona is currently working alongside dr. prarthana purkayastha (royal holloway university, uk) and dr. anusha kedhar (university of california, riverside) on a project titled “south asian dance equity (sade): the arts british south asian dance ignores,” which is being funded by the arts and humanities research council. she is also working on a double volume co-edited anthology project alongside drs anurima banerji (ucla, usa) and jasmine johnson (upenn, usa) titled the oxford handbooks of dance praxis, contracted with oxford university press. she completed a british academy small grant funded project titled ‘contemporary dance and whiteness' alongside drs simon ellis (coventry) and arabella stanger (sussex) in 2019. the project’s aim was to examine race and racism in british contemporary dance and to critique whiteness as part of a commitment to the field’s anti-racist futures. the project examines whiteness as a structure of racism that exists in the relationships between personal prejudice, cultural norms, and the lived conditions of inequality and racial violence. working in coalition with uk and us colleagues from across theatre and dance studies, royona has been leading conversations on anti-racism for these disciplines as a scholar and an educator, with a strong commiment to dismantling their whiteness. interculturalism and performance practices critical race theory and performance practices postcolonial studies, decolonialities and theatre, dance and performance studies dance and diaspora-politics contemporary south asian dance practices royona’s teaching specialisms are in the fields of physical theatre/dance–theatre, live art practices, dance and embodiment, intercultural performance and critical theory. she would be keen to supervise phd projects in the above areas and also projects that interrogate the relationships between bodies, cultures, gender, race, sexuality and identity in performance.

i am an academic, pedagogue, theatre maker and uefa qualified football coach. having developed a portfolio career as a practitioner-scholar, my work operates dynamically across the generative boundaries of teaching, research, and artistic practice. as a teacher, i have over 10 years experience working in the uk higher education sector, during which time i have cultivated a practice of reflexive, collaborative pedagogy that destabilises hierarchical approaches to teaching and learning. i have taught across a range of practical and theoretical modules at universities and conservatoires, including royal birmingham conservatoire, de montfort university leicester, and university of wolverhampton. as a theatre maker, i was part of the birmingham repertory theatre's foundry programme for emerging artists, where i was mentored by alexander zeldin, caroline horton and tessa walker. while on the foundry programme, i began to develop a collection of three works exploring neurological trauma and the body. the first two pieces: grey matter and the prisoner's cinema have been supported by birmingham repertory theatre and mac birmingham. in 2017, i assisted acclaimed french theatre director, mohamed el khatib, working with over 50 football supporters on stage. i have also worked as a director on several professional projects across theatre, opera, performance art, and musical theatre. as an academic, i am interested in how we understand, study, and use rehearsal in sport and performance training. i have published on different modes of performance training, critical conceptualisations of voice, and the complicated dynamics of leadership within ensemble practices. i am also interested in exploring the political dynamics of collective creativity beyond the rehearsal studio, addressing other settings including sports performance, healthcare, and emergency response planning. i am currently working on the development of an edited book on performance and football. rehearsal studies ensemble performance practice-as-research sport & performance political, social and cultural theory performance training bodies in performance dramaturgies & performance performer training ensemble performance theatre making performance analysis and critical theory research approaches and methods sports and performance physical theatre

i am interested in the ways we understand, practise and manage the places around us. as a co-director of performing city resilience, i work with emergency planners, culture directors, organisations, and companies to develop/implement creative strategies in response to local and global challenges. this collaborative work has led individuals, local authorities, companies and organisations to think in new ways about their work and to revise key policies and procedures, as demonstrated in new orleans (usa). critically, recent collaborative work led the emergency planning society (international) to embed creativity in its core competencies. i have published internationally on arts, architecture, culture, emergency and resilience planning, performance, and place. publications comprise books and academic articles, professional reporting and blog posts. currently, i am working with dr patrick duggan on two new monographs for louisiana state university press and palgrave. at brunel university london, i am engaged in interdisciplinary research and teaching on place, performance, and resilience. within academic institutions, i have held leadership roles in research, learning and teaching, and associated areas at subject, department and/or school level. these have focused particularly on facilitating research and research impact development, designing and managing degree programmes, and growing international partnerships. i have examined written and 'practice as research' doctoral projects (both individual and collaborative submissions) exploring place and performance. there are two key strands to my research. performance, place and resilience: i am a co-director of performing city resilience, an internationally focused research-led consultancy that develops creative practices of resilience and emergency planning in the uk and internationally. this is highly collaborative work, and dr patrick duggan and i have been leading this project since 2017. since 2020, we have been working on a ukri-funded rapid response covid-19 project exploring intersections between arts and resilience strategy in uk cities. on this project, we have worked closely wth uk local authoriites and the emergency planning society, and have developed innovative invitations for pandemic response. internationally, we have worked in new orleans since 2018. following an intial survey of arts and resilience practice in that year, we were invited to contribute to the development of the city’s five-year hazard mitigation plan and the grassroots cultural masterplan in 2019. in june 2019, we delivered bespoke workshops for key city stakeholders including new orleans homeland security and emergency preparedness (nohsep) – together with departments across city hall, the arts council of new orleans, and the music and culture coalition of new orleans. as a direct result of our work, nohsep are engaged on ‘a long-term path of embedding arts and cultural practices in our strategic planning’. performing place: architecture and environment: in 2019, i published performing home (routledge), the first book to consider performances of home in domestic dwellings. this book speaks to research and practice in installation, performance and architecture, and looks directly at practices of enquiring into, making, adapting, mobilising, and being resident in domestic dwellings. it considers artists’ responses to place and to the possibilities, but also difficulties, of practising home. that same year, matthew wagner and i published the dramaturgy of the door (routledge), the first book length study of the performance of the door – a key architectural element. in this, we explore the importance of doors in stage and place-based practice, and thereby issues of borders, thresholds, bodies, environments and practices of access and limit (project funded by british academy/leverhulme). additionally, i have published a range of essays identifying ways in which ideas and practices from performance can help identify, reflect on and address urgent contemporary challenges. in particular, i reflect on new ways of responding to the effects of climate change. performing city resilience (emergency planning, hazard mitigation and resilience strategy) performing place: architecture and environment my teaching is grounded in my current and recent research into performance, place, and resilience, including my experience of working with partner organisations and collaborators. alonside teaching that unpacks specific topics from this research, i invite students to identify methodologies and practices that will support their work in and beyond their degree. in teaching from my research area, i engage students in processes of identifying and developing their own individual research and professional interests as they progress on their degree.

i am an academic, a pedagogue, an actor and a director. as a teacher i have 20 years of experience teaching in the uk he sector and during that time i have taught a wide range of theoretical and practical modules at both undergraduate and postgraduate level. i have also taught workshops across the world (in countries such as sweden, lithuania, china, mexico and costa rica). as an academic my main research interests are the study, use and understanding of bodies in performance, particularly the corporeal phenomena related to acting training approaches (both western and non-western), intercultural performance practices, and the performance of (national) identity. during the last 10 years i have pursued both practice-as-research as well as desk-based projects. amongst them i am currently co-editing the routledge companion to bodies in performance (together with professor roberta mock and professor hershini young) and i am working on the development of the performance completing the marathon in which i am exploring long distance running practices. as a director i have been engaged in alternative and experimental performance practices, such as the staging of the opera lampedusa, written by professor eduardo miranda for which the linguist david j. peterson created a language called vöv. the key aspect of my research is the study of the way in which bodies are used and understood in performance. i am particularly interested in exploring that phenomena in relation to acting training systems, methods and approaches (both western and non-western), in the establishment and development of intercultural theatre practices, and in the performance of identity in cultural and theatrical events. as a scholar, i pursue research both through practice-as-research as well as desk-based methods. my current project completing the marathon is a par project which will generate both written and practical outputs. as such, i have a keen interest in projects which look for innovative ways to interrelate theory and practice. intercultural performance practices uses and understandings of bodies in performance acting training performance of identity intercultural performance practices acting training physical theatres and the physical in theatre decolonialities in theatre and performance studies performance analysis and critical theory practice as research (par) approaches and methods devise and ensemble work sports and performance

professor jones is director of the pan-university institute for communities and society. meredith is a transdisciplinary scholar who works at the intersections of feminist theories of the body with media, gender, and cultural studies. she is particularly interested in popular culture, visuality, and embodiment, and has published widely in these areas. her latest edited volume, performing the penis: phalluses in 21st century cultures (with evelyn callahan) comprehensively introduces the emerging discipline of penis studies. she is currently working on a monograph about vulvas and on a yearbook about genital transformations in media and culture. beautyscapes: mapping cosmetic surgery tourism (written with ruth holliday and david bell) won the 2020 foundation for sociology of health and illness prize. this book is based on extensive fieldwork carried out in thailand, malaysia, south korea, tunisia, spain, and czech republic. it also comprises digital research into cosmetic surgery websites and cosmetic surgery communities on social media. skintight: an anatomy of cosmetic surgery, meredith's first monograph, is a widely-cited foundational text in studies of makeover culture, cosmetic surgery and feminist theories of the body. her other books include a major collection of feminist writing about cosmetic surgery that she co-edited with philosopher cressida heyes, cosmetic surgery: a feminist primer. she often speaks publicly about social media, popular culture and feminism, and is an expert on the socio-cultural aspects of the kardashians. she hosted a scholarly kimposium! in 2015 and kimposium! the sequel was held in september 2021. meredith is active in the creative industries and founded the trunk series of books with artist and designer suzanne boccalatte, which includes curated collections of artworks and essays about hair and blood. currently she is collaborating with taylor & francis group to deliver a series of projects around new and innovative modes of publishing. the goal is to develop more digitally relevant, flexible, inclusive and faster ways of publishing for academics as well as community, industry, and ngo groups. qualifications phd in cultural studies, university of western sydney, 2006 ba hons. in women's studies, 1st class, university of sydney, 1998 meredith's work is in the broad fields of feminist theory, cultural studies, gender studies, and cultural sociology. she has researched and written about cosmetic surgery and other body modifications for more than two decades. her book skintight: an anatomy of cosmetic surgery is a key text in feminist thinking about makeover culture, bodies, and media. in sun, sea, sand and silicone, an international esrc funded research project that explored the phenomenon of cosmetic surgery tourism, meredith and a team of academics from australia and the uk followed people from the uk, australia and china who went to thailand, malaysia, tunisia and south korea seeking cosmetic surgery. the book based on this project, beautyscapes: mapping cosmetic surgery tourism, won the 2020 foundation for sociology of health and illness prize. meredith is the editor of the routledge series gender, bodies and transformation. she welcomes proposals for the series. animal/human studies, body modifications, especially cosmetic and plastic surgery, cultural studies, digital studies, embodiment, fashion theory, feminist theories of the body, gender studies, media studies, popular culture, trans studies, visual studies

building on an academic transdisciplinary background in natural sciences (marine biology, resource management) and social sciences (climate adaptation, social justice, environmental policy), shona’s guiding focus remains the generation and translation of defensible research informed by the needs of society and co-created with the intended beneficiaries. her research is motivated by international frameworks such as the un 2030 agenda, the sendai framework for disaster risk reduction, and the cop21 paris agreement. she has spent her working career building partnerships and knowledge exchange networks with local communities and stakeholders to achieve mutually beneficial social and ecological goals. with a special interest in marginalised communities and social justice and equity, shona’s recent research has focused on global flood risk and resilience, climate risk assessments, adaptation and adaptive capacity in urbanising coastal areas. embracing a transdisciplinary approach, shona works at the interface of science-policy as well as effective and fit-for-audience communication of data and knowledge to ensure increased impactful discourse around risk. she has research experience in the caribbean, usa, uk and ireland, as well as a global perspective through involvement with future earth and its associated global research project future earth coasts. shona seeks to engage with a range of emerging global challenges through collaboration and co-production of knowledge by employing a transdisciplinary and applied bridging of science, social science, the arts and humanities at local, national, and international scales. co-production enables science and research to have greater impact on sustainable development outcomes. shona works to facilitate iterative and collaborative processes involving diverse types of expertise, knowledge and actors to produce context-specific knowledge and pathways towards a sustainable future. there is a real and urgent need to understand and tackle intractable global challenges in the face of constantly shifting biophysical and social realities. shona’s work, with a range of partners across the globe, embraces this need, recognising that sustainability and equitable development, as illustrated by the un agenda 2030 sustainable development goals (sdgs), requires transformative social and economic pathways co-created with intended beneficiary communities. the overall achievement of the sdgs depends not only upon responsible economic development administered through the lens of environmental sustainability, but perhaps more significantly, through enhanced social inclusion and resilience building at all scales. at brunel, shona is the director of the centre for global lives, the co-lead of the equitable development and resilience research group as well as a member of the centre for flood risk and resilience. examples of on-going research projects include the eske project and catching a wave. most recently she has been involved in the co-curation of an unwavering immersive virtual installation on long covid in partnership with artists and scientitsts through the new york gallery/forum relational space.