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Riley, C. (2008) 'The big sound symphony'.

Composition

Riley, CJ. (2008) 'Fold'.

Composition

Nicolls, S. (Accepted) 'Expanding the repertoire for piano and live electronics: research into live interactivity for pianists'. [Huddersfield contemporary music festival and BMIC Cutting Edge series, London.]

Performance

Riley, CJ. (2007) 'Skin and Wire'.

Composition

Fox, C. (2007) 'Björn Heile: The music of Mauricio Kagel'. Musical Times, 148 (1900). pp. 103 - 108. ISSN: 0027-4666

Journal article

Wiegold, P. (2007) 'He is armoured without'.

Composition

Fox, C. and Dickinson, P. (2007) 'Mixed Doubles'. The Musical Times, 148 (1899). pp. 116 - 116. ISSN: 0027-4666

Journal article

Fox, C. and Walsh, S. (2007) 'Old Igor'. The Musical Times, 148 (1898). pp. 107 - 107. ISSN: 0027-4666

Journal article

Croft, J. (2007) 'Theses on liveness'. Organised Sound, 12 (1). pp. 59 - 66. ISSN: 1355-7718

Journal article

Fox, C. (2007) 'Music after zero hour'. Contemporary Music Review, 26 (1). pp. 5 - 24. ISSN: 0749-4467

Journal article

Fox, C. (2007) 'Darmstadt and the institutionalisation of modernism'. Contemporary Music Review, 26 (1). pp. 115 - 123. ISSN: 0749-4467

Journal article

Fox, C. (2007) 'Other Darmstadts: An introduction'. Contemporary Music Review, 26 (1). pp. 1 - 3. ISSN: 0749-4467

Journal article

Wiegold, P. (2006) 'Earth and stars'.

Composition

Riley, C. (2006) 'A green and yellow melancholy'.

Composition

Fox, C. and Villars, C. (2006) 'Imperfection and Colour'. The Musical Times, 147 (1896). pp. 102 - 102. ISSN: 0027-4666

Journal article

Nicolls, S. (2006) 'Premiere performance of Cashian piano concerto'. [LSO St Luke's, broadcast live on Radio 3, London.]

Performance

Riley, CJ. (2006) 'Passing Places'.

Composition

Riley, C. (2006) 'New song aesthetic'.

Composition

Croft, J. (2006) 'la terra lagrimosa...una luce vermiglia'. creation funded by the Arts and Humanites Research Council Première: LSO St Luke's, London, 2006, Matthew Barley (cello).

Composition

Fox, C. (2006) 'de Groote Muziek'. de Grote Muziek (2004-5) 12' flute, 3 saxophones, horn, 3 trumpets, 2 trombones, bass trombone, piano, bass guitar Commissioned by Orkest de Volharding; premiered by them in the Corzo Theatre, den Haag, Netherlands, 24 February 2006.

Composition

Fox, C. (2005) 'The extended clarinet: Four contemporary approaches', inThe Versatile Clarinet. Routledge. pp. 15 - 29. ISBN 10: 0415973171. ISBN 13: 9780203958728.

Book chapter

Fox, C. and Taruskin, R. (2005) 'Past Imperative'. The Musical Times, 146 (1893). pp. 104 - 104. ISSN: 0027-4666

Journal article

Croft, J. (2005) 'Serenata'.

Composition

Nicolls, S. (Accepted) 'Alexander's Annexe: push door to exit'. [Sonorities festival, Sonic Arts Research Centre, Belfast; Ravell festival, Italy.]

Performance

Riley, CJ. (2005) 'Close'.

Composition

Riley, CJ. (2005) 'In The Gloom Of Whiteness'.

Composition

Fox, C. (2004) 'Tempestuous times: The recent music of Thomas Adès'. Musical Times, 145 (1888). pp. 41 - 56. ISSN: 0027-4666

Journal article

Wiegold, P. (2004) 'Creative exchange'. [CBSO Centre, Birmingham.]

Performance

Riley, CJ. (2004) 'Landscapes With Birds'.

Composition

Fox, C. (2004) 'Zone (Zeit-Ort-Name)'. ZONE (Zeit-Ort-Name)(2002-4) 25' clarinet, trombone, tuba, accordion. electric guitar, violin, viola, cello, double bass and pre-recorded electronic drones Commissioned by the BBC for Apartment House; premiered by them in a BBC Invitation Concert, Maida Vale, London on 25 September 2004. Dedicated to Andrew Kurowski.

Composition

Riley, CJ. (2004) 'Inside Covers'.

Composition

Croft, J. (2004) 'per l’aer cieco'.

Composition

Fox, C. (2003) 'Sharp practice'. Musical Times, 144 (1884). pp. 15 - 25. ISSN: 0027-4666

Journal article

Riley, CJ. (2003) 'A Stranger Called This Morning'.

Composition

Wiegold, P. (2003) 'The great wheel: Parts 1, 2 and 3'.

Composition

Riley, CJ. (2003) 'On The Sheltering Bars'.

Composition

Fox, C. (2003) 'Which Side Are You on?'. The Musical Times, 144 (1882). pp. 65 - 65. ISSN: 0027-4666

Journal article

Fox, C. (2003) 'Temperaments, tonalities and microtonalities: An introduction'. Contemporary Music Review, 22 (1-2). pp. 1 - 2. ISSN: 0749-4467

Journal article

Fox, C. (2003) 'Hybrid temperaments and structural harmony: A personal history'. Contemporary Music Review, 22 (1-2). pp. 123 - 139. ISSN: 0749-4467

Journal article

Fox, C. (2003) 'Gavin Bryars at 60: Sharp Practice'. The Musical Times, 144 (1884). pp. 15 - 15. ISSN: 0027-4666

Journal article

Fox, C. (2002) 'The Cambridge companion to John Cage'. MUSICAL TIMES, 143 (1881). pp. 73 - 76. ISSN: 0027-4666

Journal article

Fox, C. (2002) 'an der Schattengrenze'. an der Schattengrenze (2001-2) 20' bass flute, bass clarinet, bass trombone, percussion, piano, viola, cello, double bass Commissioned by the Wittener Tage für Neue Kammermusik. Premiered by Apartment House in the Saalbau, Witten, 27 April 2002. Dedicated to Dieter and Maria Wellershof.

Composition

Fox, C., Johnson, S. and Nicholls, D. (2002) 'Cage & Co.'. The Musical Times, 143 (1881). pp. 73 - 73. ISSN: 0027-4666

Journal article

Fox, C. (2002) 'Under the lens'. Musical Times, 143 (1879). pp. 26 - 35. ISSN: 0027-4666

Journal article

Riley, CJ. (2002) 'Close'.

Composition

Riley, C. (2001) 'Tides'.

Composition

Riley, C. (2001) 'The inside springs'.

Composition

Fox, C. (2001) 'Everything You Need To Know'. Everything You Need To Know (1999-2001) variable duration (10-85’) installation for ensemble (up to 10 players) and voice(s) Written for the Ives Ensemble and Barbara Hannigan (soprano) and premiered by them in de MuziekCentrum, 's-Heertogenbosch on 13 May 2001. Dedicated to Susanna Eastburn. Consists of a series of component works which may also be combined or performed separately: Catalogue irraisoné (1999-2001) 35' for solo voice(s) in 12 movements: Rationale Scanner Patrol Hanging Line Dialodia Triptych Urtext Outsider Babel Security Code Errata Index Generic Composition #1 c.5' for a percussionist Generic Composition #2 c.4'30" for a keyboard instrument Generic Composition #3 c.5' for a plucked instrument Recording by Anton Lukoszevieze on Metier MSV CD92059 Generic Composition #4 c.5' for a bowed instrument Recording by Anton Lukoszevieze on Metier MSV CD92059 Generic Composition #5 c. 6' for a sliding instrument Recording by Anton Lukoszevieze on Metier MSV CD92059; also recording by Corrado Canonici with Generic Composition #8 on NMC D079 Generic Composition #6 c. 5' for a valved brass instruments Generic Composition #7 c. 7' for a keyed wind instrument Recording by Kate Romano on Metier MSV CD92074 Generic Composition #8 c. 7' for a variably sustained, just-intoned string instrument Recording by Corrado Canonici with Generic Composition #5 on NMC D079 Hi-lite for 5 players Lacrymae for treble woodwinds and bowed strings Marche passé piccolo, clarinet, trumpet, trombone, percussion Gradient for 2 to 12 players Raumtöne flute, clarinet, trumpet, trombone, percussion, piano, violin, viola, cello, double bass.

Composition

Fox, C. (2001) 'Richard Ayres in Focus: Life Is Beautiful'. The Musical Times, 142 (1875). pp. 39 - 39. ISSN: 0027-4666

Journal article

Wiegold, P. (2001) 'But Who Will Make Their Tea?'. Harmony. ISSN: 1083-9836

Journal article

Whitehead, T. (2001) 'Tides'.

Composition